Merit Scholarships Available: |
Amount | ||||
|---|---|---|---|---|---|
| Conservatory Talent Scholarships | - |
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The mission of the Boston Conservatory is to educate exceptional performing artists for careers that enrich and transform the human experience using skills, creativity and courage nourished in a vibrant, multidisciplinary community of musicians, dancers and actors.
Graduates in 2009/2010 academic year.
| Visual and Performing Arts | Bachelor | Master |
|---|---|---|
| Dance, General | 10 | 0 |
| Music, General | 27 | 56 |
| Visual and Performing Arts, Other | 34 | 3 |
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I never thought that I could learn so much about my craft in such a short amount of time! Anyone who thinks that they could dive straight into a performance career without a collegiate education should just spend a semester at the Boston… more read full review
I never thought that I could learn so much about my craft in such a short amount of time! Anyone who thinks that they could dive straight into a performance career without a collegiate education should just spend a semester at the Boston Conservatory and see if it changes their view on things. Everything that you need to know to make you the best you can be in your field of study is offered to you here. In addition to employing an absolutely brilliant faculty, many of whom are still actively working in their chosen fields, the school frequently offers master classes with guest instructors who are renown for their art. The incredible quality of education that I receive here is completely worth the expense. read full review
If you're a composition major, get your butt in gear and start composing NOW. Write LOTS of pieces. Write lots of small chamber pieces; don't worry about orchestral pieces unless you can get legit recordings of them (MIDI doesn't cut it). The… more read full review
If you're a composition major, get your butt in gear and start composing NOW. Write LOTS of pieces. Write lots of small chamber pieces; don't worry about orchestral pieces unless you can get legit recordings of them (MIDI doesn't cut it). The faculty would probably prefer a string quartet or a woodwind quintet in your portfolio to an orchestral piece. And write for different instruments; don't just write all piano music. Experiment with different harmonic styles.
Listen to lots of styles of music. Lots of freshman composition majors don't know enough about modern music, so I'll tell you right now to check out pieces by composers like: Penderecki, Prokofiev, Stravinsky, Ligeti, Cage, Lutoslawski, Reich, Schoenberg, Berg, Takemitsu, Saariaho, Adams, Shostakovich, and Golijov. Seriously, listen to pieces by EVERY SINGLE ONE of those composers. Don't just focus on the stuff you like; yes, I know Shostakovich is way more accessible than Lutoslawski, but you need to know both of them inside and out, even if you hate it. (If you're having trouble getting into modern music, just watch any Stanley Kubrick film like The Shining or 2000: A Space Odyssey, or watch the movie Shutter Island. Pay attention to the music and how it fits into the film. You'll be sold, trust me.) If you can talk about all of those composers, you're set. By the way, Osvaldo Golijov used to be loosely associated with BoCo. Golijov is a GENIUS so check him out. Also Jan Swafford (one of the faculty members) writes a lot of articles for Slate Magazine. Read everything Jan has written. They're pretty awesome articles.
You can write TONAL music but it still needs to be unique and modern; if you're writing exactly like Beethoven and Rachmaninoff, you're not going to get past sophomore promotionals. Beethoven and Rachmaninoff already wrote things in their style and they were better than you ever will be in that style. Try to find your own voice. As a caveat, you're not going to find your own voice, even by the time you graduate. But you should still try. The faculty will be more impressed by original, interesting stuff in your portfolio than stuff you think is really good but clearly imitates a 19th century idiom.
In my interview, I was myself and I was confident. I didn't lie to them about any aspect of my musical life. I told them what I liked and what I didn't like, and I told them what I knew and what I didn't know. The best thing you can do during your interview is just be yourself. Seriously. It's a lot easier than you think it is! :)
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If you're a musical theater major, just don't stress if you don't get in. It's hard, really. The acceptance rate for the musical theater department rivals the admissions rates for Harvard and Yale. In a sense, BoCo is almost like the Yale of musical theater! If you don't get in, it doesn't mean you weren't cut out for musical theater. It just means you didn't get in. Don't overanalyze it.
If you DO get in, you better be prepared to work really really hard. A lot of schools are focused on your voice, or on dance, or on acting. BoCo focuses on EVERYTHING. You are going to dance your butt off. You're going to be tired and stressed but you're going to love it.
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| June 25, 2011 | Daniel from North Brunswick, NJ | read full review | |
| February 06, 2011 | Rachel from Kathleen, GA | read full review | |
| October 29, 2010 | Allison | read full review |
Merit Scholarships Available: |
Amount | ||||
|---|---|---|---|---|---|
| Conservatory Talent Scholarships | - |